The brooding breaks and the defenses drop, and Peter becomes boyish, happy. And yet, when he’s with Gwen, Peter lightens considerably. Directed by Marc Webb, The Amazing Spider-Man reboots the series with Garfield playing a more angsty version of Peter Parker, a lanky loner who recalls artist Steve Ditko’s original intention for the character. and Stan Lee, Peter’s first major love is not aspiring actress Mary Jane, but the dutiful Gwen, daughter of anti-Spider-Man police Capt. This half-hearted bit of romance falls far too short of some of the most iconic moments in the original Spider-Man trilogy, in which Tobey Maguire’s Spidey and Kirsten Dunst’s Mary Jane smooched upside-down in the rain or snuggled in a giant web. Holland and Zendaya have chemistry, and Kevin Feige and director Jon Watts built tension between the two in the previous films. Because then, the camera cuts away to Doctor Strange casting a spell and reaction shots from the various multiversal characters, taking the emphasis away from the kiss and putting it instead on Willem Dafoe and Jamie Foxx.įor viewers like me, it’s frustrating that Marvel Studios wouldn’t even give Peter and MJ this one moment. The scene genuinely moves us, but only for a moment. The strings in Michael Giacchino’s score begin to rise, and the two come together in a passionate kiss, their faces eclipsing the sun and bathing in the haze of a digital golden hour. “Wait and tell me when you see me again.” MJ stares into Peter’s battered face and says, “I love you.” Before Peter can respond in kind, MJ interrupts him. ![]() Take for example the end of Spider-Man: No Way Home, in which Tom Holland’s Peter Parker says goodbye to MJ (Zendaya) before magic erases her memory of him. ![]() The MCU Spider-Man movies get a lot of things right.
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